![Illustration. Part of project “Metallica” [RJ 0027]: Poster design for the rock band Metallica.](https://cdn.myportfolio.com/e510cb4ab3282c2ee88bb5e070952caf/386c0b17-fd74-4816-b056-70dc30bfd1df_rw_1200.jpg?h=9ac1e713e4681c1aa613b9a8a0882941)
Illustration. Part of project “Metallica” [RJ 0027]: Poster design for the rock band Metallica.
![Typography excerpt. Part of project “Metallica” [RJ 0027]: Poster design for the rock band Metallica.](https://cdn.myportfolio.com/e510cb4ab3282c2ee88bb5e070952caf/6d078a04-be86-4594-9e03-8ce226ca3b57_rw_1200.jpg?h=83f7e4192c278302e1a87755bde8f3cc)
Typography excerpt. Part of project “Metallica” [RJ 0027]: Poster design for the rock band Metallica.
![Full artwork. Part of project “Metallica” [RJ 0027]: Poster design for the rock band Metallica.](https://cdn.myportfolio.com/e510cb4ab3282c2ee88bb5e070952caf/dd6149c8-467f-4ba5-ad57-218a7e791387_rw_1920.jpg?h=9db58d339fb0bbed2e55475441e78ac5)
Not as if I were a huge Metallica fan (I’m afraid to confess: I’m not a Metallica fan at all), but the band had found me before I’d had found them. Chosen by a fellow student at the Moholy-Nagy University of Art and Design, our second task (of the total three) for the final exam of the Typography Classes was a poster design for an existing or imaginary band, venue or event. The method of choosing the theme by someone else from the class resulted in a list of everyone’s own favorite performers possibly unknown for the final designer—and that’s how I met James Hetfield & Co. for the first time at age 38. (Shame. I know.) Absolutely uninspired by their music, I finally found somewhere an acoustic performance which I considered almost listenable, so this bootleg of 30 minutes was rotated 0–24 while drawing the graphics. The illustration of the bear head was derived from an existing photo of a real life object, edited with several filters and layer blending modes. The strict, centrally adjusted and segmented composition required a corresponding typeface, therefore I have picked my second favorite one, the Teuton form František Štorm emphasizing the industrial spirit of the music.